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Cora’s Kitchen

(6 customer reviews)

$22.95

a novel by Kimberly Garrett Brown

Print: 978-1-77133-851-6
176 Pages
September 20, 2022

Cora James, a 35-year-old Black librarian in Harlem, dreams of being a writer. Torn between her secret passion and the duties of a working wife and mother in 1928, Cora strikes up correspondence with renowned poet Langston Hughes, who encourages her to pursue her dream. Duty frustrates Cora again, this time when she’s called upon to fill in for her cousin Agnes while she recovers from a brutal beating by her husband Bud.

Working as a cook for a white woman, Cora discovers both time to write and an unlikely ally in Mrs. Eleanor Fitzgerald, who becomes friend, confidante, and patron, encouraging Cora to rise above what’s commonly thought of as “a woman’s lot.” Yet, through a series of startling developments in her dealings with the white family, Cora’s journey to becoming a writer takes her to the brink of losing everything, including her life.

Cora’s Kitchen delves deeply into what it means to be a Black woman with ambition, to make choices and keep secrets, and to have an unexpected alliance with a white woman that ultimately may save both of them. Kimberly Garrett Brown renders Cora with immense empathy, acknowledging and confronting Cora’s own prejudices and allegiances and the social pressures that continue to reverberate far beyond this story. Cora’s Kitchen is a poignant, compelling story in which misfortune and fortune cannot be teased apart, and literature and life have everything to do with each other.”
—Anna Leahy, author of What Happened Was: and Tumor

“In Cora’s Kitchen, all women will find their challenges and longings expressed with unflinching honesty. Kimberly Garrett Brown’s characters are faithful to a time, yet timeless, transcending the years to both painfully and beautifully illustrate the struggles women face to find and fulfill their vocations. Spellbinding.”
—Erika Robuck, national bestselling author of The Invisible Woman

“… powerful … Brown speaks to timeless struggles of women who had ambitions that reached beyond traditional expectations. … An affecting novel of female friendship and a desire for independence.”
Kirkus Reviews

Cora's Kitchen


Kimberly Garrett Brown is the publisher and executive editor of Minerva Rising Press, an independent women’s literary press. She has an MFA in Creative Writing and an MS in Written Communication. Her publications include The Rumpus, Women Writers, Women’s Books, Linden Avenue Literary Journal, Black Lives Have Always Mattered: A Collection of Essays, Poems and Personal Narratives, The Feminine Collective, and the Chicago Tribune. She currently lives in Boca Raton, Florida. www.kimberlygarrettbrown.com

6 reviews for Cora’s Kitchen

  1. Inanna Admin

    Cora’s Kitchen by Kimberly Garrett Brown
    reviewed by Kirkus Reviews – June 15, 2022
    https://www.kirkusreviews.com/book-reviews/kimberly-garrett-brown/coras-kitchen/

    Brown’s debut novel tells the story of a Black wife and mother in 1920s Harlem who yearns to be a writer.

    Cora James got to know a young Langston Hughes through her job at a Harlem library, and after he goes away to school, she begins a correspondence with him in which she confesses her ambition to become a full-time author herself: “Part of the pain of hell for me is I don’t think I’m being who I need to be,” she writes. Soon after their letters begin, Cora must help her cousin Agnes by reluctantly taking on her job as a cook for the wealthy, White Eleanor Fitzgerald.In the Fitzgeralds’ kitchen, she surprisingly finds some quiet time to write as she works. When Eleanor discovers Cora’s love of literature and writing, she offers to be her patron and take Cora with her to her house in upstate New York for the summer, so that she can write uninterrupted. Brown, the founder of Georgia-based press Minerva Rising, presents a mix of diary entries, letters, and short stories written by Cora—and sometimes fictional material by Hughes—that creates an immersive world, exploring the literature of the Harlem Renaissance and ideas of contemporary authors, and, ultimately, explores the central character’s identity as a Black woman. Overall, this is a powerful novel that offers excellent historical details, but its discussion of poetry and novels are its highlights. By rooting the novel in domesticity with well-developed female characters, Brown speaks to timeless struggles of women who had ambitions that reached beyond traditional expectations. Moreover, Brown crafts Cora as an incredibly perceptive narrator and foregrounds race-related issues through an absorbing plotline with some unexpected turns, showcasing the importance of intersectionality.

    An affecting novel of female friendship and a desire for independence.

  2. Nancy Bekofske

    It’s hard for a woman to be a writer, even today. Between work and family, carving out time to write stretches a woman thin. Writers retreats can be a godsend, a chance to concentrate on just writing. But imagine what an aspiring writer in 1928 had to contend with? And if that person were a woman, and African American, what hope would they have of pursing a writing life?

    Kimberly Brown’s debut novel takes on this theme. Cora’s Kitchen gives voice to a woman of intelligence and talent, living in 1928’s Harlem, who seeks to fulfill her dream of writing. She loves her husband, a talented musician working nights in the clubs, and her children. She has a good job as a librarian. But she us floundering as an individual.

    Cora knows Langston Hughes, sees Zora Neale Hurston at the library. She imagines what her life would be like if she could follow her dream. When she and Earl meet and fell in love, they supported each other’s dreams; his goal as a musician, hers as a writer. But children came, and a job to help support the family, and Cora was trapped in an existence that did not feed her soul.

    When Cora agrees to fill in for a relative who works as a cook, she meets the wealthy Eleanor, who has her own dreams of personal fulfillment. Eleanor at heart is an activist. She does not treat Cora as hired help, but befriends her and loans her Kate Chopin’s The Awakening. In that book, Cora finds herself.

    Langston has encouraged Cora to write. Eleanor offers Cora a unique opportunity: spend the summer with her at a remote cottage, using the time to work on a story to enter into a contest. Cora grabs at the chance, sending the children to live with relatives, and arranging for Earl’s meals. What happens that summer will change Cora’s life.

    The novel is told through journal entries and letters. There is much discussion of literature, insights and thoughts on race relations, and the ways men control and limit women.

    This is a story I would have loved as a teen who hoped to become a writer and as a and young adult grappling with being a working wife and want-to-be poet. I can see this as a YA appropriate book. It is a quick reading novel, with an unexpected climax, and a realistic resolution.

    I received an ARC through Caitlin Hamilton Marketing & Publicity. My review is fair and unbiased.

  3. Inanna Admin

    A Review of Cora’s Kitchen by Kimberly Garrett Brown
    reviewed by Ruth Latta
    Compulsive Reader – July 30, 2022
    http://www.compulsivereader.com/2022/07/30/a-review-of-coras-kitchen-by-kimberly-garrett-brown/

    Cora’s Kitchen is about a woman’s dream deferred. Author Kimberly Garret Brown, the founder of Minerva Press, begins the novel with a quote from “Troubled Woman” by Langston Hughes, which describes a woman, “bowed by weariness and pain/like an autumn flower in the frozen rain.”

    This poem strikes a chord with Cora James, a librarian, wife and mother living in Harlem, New York City, in 1928, during a golden age of African American culture. Lasting roughly from the 1910s through the mid-1930s, the Harlem Renaissance period pulsated with Black American literature, music, stage performance and art. Langston Hughes was a part of it and Cora wants to be part of it too. Her husband, Earl, is a part of the cultural scene as a musician who comes alive when he performs at a nightclub in the evening.

    She and Earl have always tried to advance his aspirations as a musician, while she pretended she had no dream other than her job, her household and their two children. Working in a Harlem library, she met Langston Hughes at the library forums and the booklovers club, so decides to write to him about her ambitions.

    “No one talks about poetry, books or writing the way you and I did over the last year,” she says in her letter. Presented in journal entries and letters, Cora’s Kitchen features an engaging, thoughtful narrator/protagonist who is fully-rounded and unique, yet universal in her frustrations as an aspiring writer. To her delight, Langston Hughes replies. Although he is now studying in Pennsylvania, he remembers Cora and is happy to discuss literature with her and to suggest that she enter a short story contest sponsored by Opportunity magazine.

    Eventually they discuss whether or not male authors accurately depict women. Langston tells her that Black writers have a responsibility to their community to be “the voice for a people who have been silenced for centuries.” He urges her to “tell the story of the strength and perseverance that courses through your veins. Don’t strive to be a great writer; be a great Black writer.”

    Langston, single and supported by a patron, has never worried about his thirteen year old son falling in with a bad crowd, as Cora does. Her sense of duty extends beyond her nuclear family to her cousin, Agnes, who is so badly beaten up by her husband she can’t go to her job as cook at the home of the wealthy Fitzgerald family. Cora, who has never wanted to work in domestic service, takes time off her library job to fill in for Agnes.

    This good deed, seems to turn out to Cora’s advantage. As Langston Hughes tells her, she may find time to write there. In Washington, he worked in a laundry sorting dirty clothes, and wrote many poems during that period of his life.

    The Fitzgerald family includes the husband, a banker who is often away, his wife and four young boys. Cora usually has an hour of uninterrupted time in the kitchen which she uses to write. When Mrs. Fitzgerald, Eleanor, discovers her writing, she is enthusiastic and supportive. Discussing Agnes’s brutal husband, she says, “I don’t believe that men and women are meant to live together. Whenever Mr. Fitzgerald goes away, I breathe easier and feel freer.” She praises Cora’s short story in progress and lends her a novel, The Awakening by Kate Chopin.

    While identifying with Chopin’s protagonist, a woman trapped in a stifling marriage, Cora sees that the character is more like Eleanor than like herself. Langston Hughes has recommended several novels by women of colour, such as those by Jessie Redmon Fauset, and Nella Larsen’s novel Quicksand (1928) which Cora rates as “by far the best book [she’d] ever read written by a coloured woman, or man, for that matter.” Cora’s discussions and thoughts about poetry and fiction are a fascinating element in the novel and will introduce many readers to some notable but neglected authors.

    Cora overhears the Fitzgeralds quarrelling about a women’s group Eleanor attends. Mr. Fitzgerald wanted her to join a garden club, or the Daughters of the American Revolution, not a “group of Jezebels.” Later Cora learns that it is a feminist group, and also, that Eleanor’s inherited money provides the family’s comfortable lifestyle. Mr. Fitzgerald controls her trust fund and gives her a monthly allowance.

    When Agnes takes her job back, Cora feels sad. “What I experienced in the Fitzgerald’s kitchen showed me there is more to life than trudging through the day,” she writes. Then Eleanor turns up at the library to offer Cora a seemingly wonderful opportunity – to accompany her to the family summer home on Seneca Lake in upstate New York for two months. She will pay Cora a stipend that exceeds her library salary, and will make the library hold Cora’s job for her. At the cottage Cora will have a quiet place to write with no distractions or responsibilities.

    It sounds too good to be true, but Langston writes to Cora that he and many other Negro writers have white patrons; otherwise they couldn’t afford to write.

    “I understand the hesitation of accepting money too easily from white folks,” he writes. “Far too often they are like Greeks bearing gifts.”

    Nevertheless, he urges her to take the risk, so Cora ships her two children off to Georgia for the summer with her Aunt Lucy, makes arrangements for Earl’s meals, and accepts the offer.

    Langston Hughes tells Cora that she will have the chance “to observe white American life from the inside without sacrificing who you are,” but it doesn’t turn out that way. Although Cora does not end up like the heroine of The Awakening, she barely survives being Eleanor’s protégé. Nevertheless, she resolves, near the end, to be a writer for women and for African-Americans. “I belong to both equally,” she writes.

    Kimberly Garrett Brown has written an outstanding novel which rings true as a depiction of a budding writer and conveys an important message about overlapping, concurrent forms of oppression.

  4. Inanna Admin

    Cora’s Kitchen by Kimberly Garrett Brown
    reviewed by Tar Heel Reader – July 28, 2022
    https://jennifertarheelreader.com/2022/07/28/coras-kitchen-by-kimberly-garrett-brown-bookreview-tarheelreader-thrcoraskitchen-csummie-coraskitchen/

    My friend, Angela M., on Goodreads, brought this beautiful book to my attention. Cora’s Kitchen is the story of Cora James, a Black librarian living in 1920s Harlem.

    Cora sends a letter to Langston Hughes after relating to one of his poems. She wants to be writer. Langston Hughes responds, encouraging Cora not only to write but to enter a writing contest.

    In helping her cousin, Agnes, Cora becomes a cook in a white family’s home, the Fitzgeralds. In that role, she finds she has more time to write. Ultimately, she forges a friendship with Mrs. Fitzgerald who gives her The Awakening to read (The Awakening is one of my very favorite books, so I loved this connection). These happenings lead to Cora penning a story she shares with Langston Hughes. The missives continue to pass back and forth, and Cora keeps writing; the process of which may cost her everything.

    Cora’s story shares her perspective on being a woman, a Black woman, during this time in history. She aspires for something more, to be w writer, and as she encounters hurdles and attempts to navigate them, she keeps going. I really enjoyed the letters she shared with Hughes. Cora’s honesty and authentic voice are what grabbed me from the start of her story.

    Cora’s Kitchen is a quick, but richly told read; full of emotion and heart, and one in which every woman can relate, especially if she aspires for something more for herself.

  5. Inanna Admin

    Cora’s Kitchen by Kimberly Garrett Brown
    reviewed by Paula Shaffer Robertson
    Story Circle Network – August 24, 2022
    https://www.storycircle.org/book_review/coras-kitchen/

    The inequities of womanhood come across clear and strong in Cora’s Kitchen by Kimberly Garrett Brown. And how timely for this book to come out now.

    It is no one’s sane desire to occupy the lowest rung on society’s ladder. And yet that is where Cora James finds herself relegated as a young black mother, working, married, and living in Harlem in 1928. But Cora has dreams beyond those confines. She seeks to become a legitimate, professional writer. Her journey to reaching that goal is poignantly recorded in her journal, which makes up the essence of Brown’s story.

    Cleverly immersed within Cora’s journal entries are correspondence between herself and writer/poet Langston Hughes. Brown introduces Langston as a frequent visitor at the library where Cora worked, and they develop a rather spirited relationship as they enthusiastically discuss books, authors, and the art of writing. When Langston moves away for another assignment, Cora writes a letter to Langston about his poem “Troubled Woman,” and thus begins a correspondence spanning seven months.

    Cora begins her journal by pondering two phrases from “Troubled Woman.” The phrases “quiet darkness” and “troubled woman” had resonated with her as she pondered her own situation. “I’d never thought of myself as troubled before, but I am… I sure have a lot of stories to tell about being a troubled woman.”

    Things become complicated when Cora’s aunt asks her to take over her “sick” cousin’s job as a cook to a wealthy white woman, Eleanor Fitzgerald, and her four boys and husband. Cora agrees begrudgingly, and as time passes, she develops an unlikely friendship with Eleanor. She’d never had a white friend before; nor Eleanor, a black friend. They test the boundaries of friendship, daring to cross the line between race and class in a time period averse to such relationships. Through the events that occur in their relationship, Cora’s perspective on life is not necessarily changed, but rather enhanced and justified. It’s inevitable that Eleanor’s perspective would shift as well, and it does so satisfactorily.

    Brown addresses the sensitive topics of domestic violence, racism, and sexism through the unfolding friendship and conversations between Cora and Eleanor, providing the black and white perspective from both angles. She is open with Eleanor in a manner she is not with Hughes; perhaps she feels a greater emotional affinity to a woman than a man. She shares her thoughts with Eleanor with uncanny clarity. She certainly sees and feels the injustices of being a woman, black or white, but even more so black. She shares these thoughts with Hughes, and he seems to agree. Until he doesn’t.

    And yet Cora flourishes.

    Brown’s story digs much deeper than the plight of women. It gets down to the plight of self-preservation in a society bent on suppression, not solely based on gender, but also on class, money, and specifically color. To be black and female in the 1920s and survive was an accomplishment in itself. Issues are many: family violence, marital problems. Never enough of money. Never being enough. Always being looked down upon, frowned upon. And this is not lost on Cora.

    Relationships are tested in a heart-pounding climax.

    Brown masterfully guides us through Cora’s relationship with both Hughes and Eleanor, and how Hughes’ “Troubled Woman” poem reflected Cora’s life. Cora’s letter-writing relationship with Hughes evolves from a bright-eyed young student in awe of the accomplished writer/teacher to one of a self-confident woman in owning her talent and in no further need of instructive criticism from the likes a chauvinistic self-assuming man.

    Amen to that. I’d buy that book.

  6. Inanna Admin

    Cora’s Kitchen by Kimberly Garrett Brown
    reviewed by Randi Hacker
    Foreword Reviews – September/October 2022
    https://www.forewordreviews.com/reviews/coras-kitchen/

    A Black woman rebels against racism and class, finding her voice, in Kimberly Garrett Brown’s novel Cora’s Kitchen.

    In 1928, Cora James is an aspiring writer who works as a librarian in New York. She is aware of the privileged position she holds: many Black women in her era are confined to work as servants. But when her cousin survives an act of domestic violence, Cora is asked to fill in for her as a maid to a rich white woman. Cora is reluctant but agrees. The decision changes the course of her life—and her perception of what is right.

    In a series of diary entries, Cora demonstrates a clear, sober understanding of the places that Black women, and women in general, are permitted to occupy in her time. Interspersed with her diary entries are letters to and from Langston Hughes, whom Cora knows through a book group. Hughes encourages Cora to write, offering her advice––and, at times, criticism. Still, he is lavish in his praise of her work, as is Cora’s new boss.

    Also interspersed throughout the novel are stories, and story fragments, attributed to Cora, opening up her developing skills to the audience’s scrutiny, too. Indeed: her diary entries are more honest, and less self-conscious, than her prose ends up being. Nevertheless, Cora’s observations about her marriage and her position in society, coupled with her lamentations over her children’s futures, make her a transcendent heroine.

    In the historical novel Cora’s Kitchen, a Black woman’s desire to write—and to give other women a voice—lifts her above everyday drudgery and prejudices.

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